Press, Reviews, and Podcast Interviews.
10 FPS Molly Roberts, September 3 2024. Episode 119 Diana Matar
A Small Voice: Interviews with Photographers. Ben Smith, Aug 28, 2024 238 Diana Matar
Petapixel, Pesala Bandara, June 30, 2024. Photographer Captures 300 Locations of Fatal Police Shootings in the US
CNN, Suyin Haynes June 15, 2024 A photographer spent years memorializing some 300 sites of fatal police shootings across America.
The Guardian Observer, Sean O'hagan April 27, 2024. 'These people matter': why Diana Matar photographs the sites where US police have killed civilians.
Black and White Magazine, George Slade. Currents Diana Matar: My America. October 2022
The Eye of Photography, February 1st, 2020 Charleroi: Diana Matar: My America
The Guardian, Maaza Mengiste January 29th, 2020, From Homer to Alexievich: top 10 books about the human cost of war. Diana Matar Evidence.
New City Art, Alisa Swindell, March 27th, 2018. Trauma In The Longue Durée: A Review of “Traversing the Past” at the Museum of Contemporary Photography
Hyperallergic, Elena Goukassian, February 28, 2018. A Compelling New Book Focuses on Work by 33 Women Photographers.
The Chicago Tribune, Laurie Waxman, January 31st 2018. 'Traversing the Past' an uneven but powerful look at history.
The Chicago Maroon, Zoe Bean, January 22nd 2018. MoCP Exhibit Presents Three Takes on Cultural Identity
Time Out Chicago, January 2018 Traversing the Past: Adam Golfer, Diana Matar, Hrvoje Slovenc
Photomonitor, Anna McVay Nov 2017 Firecrackers Female Photographers Now
PhotoDistict News, Sept 26 2017 Photo of the Day, Evidence 5 Benghazi Libya 2012 Diana Matar
London Photo Diary, Celine Bodin. June 5 2016 Review: Diana Matar @ Purdy Hicks Gallery
Photomonitor, Simon Bocock. June 1 2016 Photo London 2016 Reviewed
The Economist 1843 Magazine, Felix Bazalgette, May 26 2016 Exposing Libya's Dark Past. Diana Matar at Purdy Hicks Gallery.
Financial Times, Horatia Herrod, May 13, 2016, Snapshot, Diana Matar at Purdy Hicks, London.
Lensculture, May 2016 , Evidence by Diana Matar
Black and White Magazine. George Slade. April 8th 2016. Evidence by Diana Matar
L'Oeil, W. M. Hunt. April 4, 2016. The Unseen Eye Looks at FotoFest 2016.
The New Arab, January 15, 2016. The Arab World Mirrored in Photography.
L'HUMANITÉ, Magali Jauffret. January 5 2016. Les photographes du monde arabe accueillis à Paris
Culture Box. December 5th, 2015. Monde arabe et photographie à Paris : quelques images de la première biennale.
L’Eclectique. Sarah Anouar, November 12 2015. La première Biennale des photographes du monde arabe contemporain « démonte » les clichés.
RFI Siegfried Forster. November 11 2015. Le monde arabe pris en photo par une Biennale pionnière
Les Tempes. Caroline Stevan. November 27 2015. Une biennale de photographie pour le monde arabe
Wall Street Journal. Tobias Grey. November 6th 2015, Middle East Photography gets a Biennale.
Literate Lens, Sarah Coleman. October 12, 2015. Evidence by Diana Matar at Rick Wester Fine Art.
Collector Daily, Loring Knoblach. October 6 2015. Diana Matar Evidence at Rick Wester
L'Oeil, September 15 2015. New York: Evidence by Diana Matar.
PhotoDot, July 2015, Cover Portfolio Evidence by Diana Matar
Vice Magazine Volume 13, No 5. June 2015, Literary: Evidence, Diana Matar
PhotoEye, Jon Evans. 16 June 2015. Evidence Diana Matar Book of the Week, Pick by Jon Evans, Museum of Fine Arts Houston.
Leica Foto International, May 2015, Angenda, Books: Diana Matar Evidence.
Freize Magazine, Sara Knelman. April 20 2015. Conflict Time Photography.
WDR 3. April 2015, Das Danach des Krieges. With Radio Show.
Firecracker. March 2015, Evidence Diana Matar.
ArtsLife, Laura Vezzo. March 2015. Conflict Time Photography Tate Modern riflette sulla guerra e i suoi effetti.
Emaho Magazine, Manik Katyal. March 2015. Diana Matar: Photography six years of Political Disappearance.
fotoMAGAZIN, Manfred Zolner. March 2015. Evidence, Diana Matar.
Creative Review, March 2015, IPAd edition. Hi-Res Feature: Evidence, Photographer Diana Matar explores political disappearance.
Kaliedascope Magazine, Anjalie Mandalia, February 2015. About Time
ST Art Magazine, Hettie O'Brian. January 2015. Landscape and Time.
L'Oeil 16, Jonas Cuenin. 16 January 2015, Londres : Conflict, Time, Photography : les images d’après la guerre.
Resource Magazine, Mark Go. 5 January 2015. Best Photography Books of 2015.
Tondo, Nathalie Latham. December 2014. Best Books. Diana Matar Evidence.
Dirty Old Books, Cheryl Newman. 28 December 2014. My Favorite Photobooks of 2014.
New Yorker, Teju Cole. 23 December 2014. Best Books of 2014
The Telegraph, Cheryl Newmann. 22 December 2014. My Favorite Photobooks of 2014
National Public Radio WNYC Colin Dywer and Martha Ann Overland. 22 December 2014. Flipping Ahead - Book News. Diana Matar's Evidence.
De Groene Amsterdammer. December 2014. Moderne tijden in Tate Modern en het Rijksmuseum.
Cultframe Arti Visivi, Claudia Colia, December 2014. Conflict, Time, Photography. Una mostra alla Tate Modern di Londra
Felix Online, Fred Fyles, December 2014. An Excavation of the Bloody Horrors of Warfare
Photobookstore Magazine, Yumi Goto. 23 December 2014. Yumi Goto's Favorite Photobooks of 2014.
The Independent, Annalee Mather. 22 December 2014. Books of the Year 2014: Best Photography Books.
Peace Direct, Jasmine Mitchell. December 2014. Conflict Time and Photography.
Firecracker, December 2014, Shoair Mavlian. Women Photographers in Conflict Time Photography.
Artefact Magazine, Sebastian Moss. 1 December 2014, Exhibitions, Conflict Time Photography.
El Confidencial, Barabara Celis Londres. November 2014. Fotografia de Guerra Sin Heroes ni Sangre.
BBC World Service, 29 November 2014, Newshour Interview with Razia Iqbal, Diana Matar Photographing Libya's Disappeared.
Time Out London, Freire Barnes. 28 November 2014. Conflict, Time, Photography
The Economist, 1843 Magazine, Simon Willis. 28 November 2014. War's Half Life at Tate Modern.
The Guardian, Hannah Ellis Peterson. 25 November 2014. Conflict, Time, Photography at Tate Modern sets timestamp on tragedy.
Disphotic, Lewis Bush. 24 November 2014. REVIEW – EVIDENCE BY DIANA MATAR
The Guardian, Sean O'Hagan. 12 November 2014 'The cruelty is in everything': photographing the dead and the disappeared of Gaddafi's Libya.
The Culture Trip, Ludy Andia, November 2014. Diana Matar, The Aesthetics of Loss.
Tate Etc Issue 32. Ipad Edition. Autumn 2014. Conflict Time Photography.
Middle East Monitor, Amelia Smith. 22 October 2014 Photographer Diana Matar on Libya, her father-in-law's disappearance and portraying absence in her work.
New Yorker PhotoBooth. Elissa Curtis. March 26, 2013 Return to Libya One Families Journey. PhotoBooth